Tachibana Hibiki: Fisting the Cabal and their plans one Noise at a time!
That’s basically Senki Zesshou Symphogear (or, “Swan Songs of the Valkyries”) in a nutshell….
However, this Anime is actually a lot more than that — once you start to really watch it (even for a Magical Girl-type Anime). First off, it’s an Anime version of a Musical; the protagonists must sing in order to make use of their empowered “outfits,” and at least one of them must continue singing in order to keep these outfits at full power.
But wait, there’s more!
“Symphogear” is one of the most pro-humanity kind of Anime I’ve seen yet, but even more interesting is that this show goes almost David Icke-levels of depth into the Occult. You pretty-well gotta watch one of Icke’s 4-6 hr-long talks on YouTube to be able to fully appreciate all the Occult references made in the show’s three-going-on-four seasons so far.
Back to Hibiki: This isn’t the first Anime I’ve seen where one main protagonist and their actions basically make the entire show. Prior examples include Amane from “Ange Vierge” and Akane from “Vividred,” but Hibiki puts them both to shame! She alone is responsible for all the foes that become friends over the course of the three-to-four seasons, and so far most of them have turned, and that is primarily because she refuses to fight other humans especially when humans can be reasoned with and thus understood. When she does fight, it’s to protect friends and civilians alike by disabling human enemies — not by killing them! In fact, not a single human death in all of “Symphogear” has ever occurred at the hands of a protagonist; not a single one (yet — suicides don’t count). Hibiki and Genjuuro are mainly to thank for that; that said, there is now one instance of a protagonist willfully causing major bodily harm in the form of Yukine blowing off Sonia’s brother’s leg in Season 4 in order to prevent him from succumbing to an Alca-noise.
I’m a big fan of Happy Endings, and as such “Symphogear” is big on such Happy Endings. I always enjoy shows where most, if not all, of the protagonists vanquish Evil and survive to live another day; even better are the shows where the protagonists don’t kill off the “bad guys,” because — like it or not — even bad people are still people.